New York – It was his night once again. Lainey Wilson The first prize was taken home in the 60th annual Country Music Academy Awards – The title of artist of the year – for the second consecutive year. And that was after she cleaned the house, taking home trophies for female artists and album of the year.
“I really have the best fans in the world,” he said in his final acceptance speech, admitting to having experienced the impostor syndrome. “I dreamed of entertainment … country music has given me more than I deserve.”
Beyond Wilson’s domain, the 2025 ACM awards were full of celebration. Earlier, First time and leader The duo of her Langley with Riley Green, the omnipresent “You look you love me”, was appointed single and music event of the year.
Both Langley and Green used their first acceptance speech to shout the classical country, songs with speaking in them, which inspired their modern success.
A revision of the past could have been a subject on Thursday night, evidenced right at the top of the ceremony: a mixture of 14 minutes of six decades of field classics, made by giants of the genre.
Host Reba Mcentire Released to “Okie de Muskogee” by Merle Haggard, followed by Clint Black with “Rhinestone Cowboy” by Glen Campbell and Wynonna Judd with “Why not me” of the Judds. Leann Rimes returned to the ACM awards stage for his 1997 “blue” ballad. Little Big Town addressed his 2014 song “Girl Crush” and Y + Shay Delivery His “tequila”.
It was an exciting way to start the ACM awards, live from the Ford Center in The Star in Frisco, Texas, just north of Dallas.
And it was an outstanding show, rival only for the introduction of the ACM Alan Jackson Award for life achievement, the inaugural trophy given to his homonym, Jackson, after he made “remember when”.
In his acceptance speech, he joked saying that a fan called a dog after him. Do you have an award with his name? That is not bad either.
The first trophy of the night, the coveted song of the year, was granted to Cody Johnson for his radio success “Dirt Cheap”.
The performances continued, fast and furious. Mcentire, Wilson and Miranda Lambert joined for the world premiere of their new single “Trailblazer”, celebrating women in country music.
Eric Church made his new single “Hands of Time”, happened by the most award -winning artist in the history of the awards program, Lambert with “Run”. Then Langley joined the “kerosene” duet of Lambert’s debut album in 2005 of the same name.
Zach Top stripped things to “Use me.” Blake Shelton channeled George’s great strait for his new single “Texas”, followed by Wilson with “Whirlwind”. Kelsea Ballerini acted About his “luggage.” Johnson shook “The Fall”, before making “Red Dirt Road” with Brooks AND Dunn Chris Stapleton and his wife, Morgane, harmonized “a woman is needed.”
Jelly Roll and Shaboozey joined forces for their collaboration, “Amen.”
“It’s Shaboozey’s birthday,” Jelly Roll said. “We want to thank everyone and we want to thank God.”
Backstreet Boys and Rascal Flatts closed the show.
The Oak Ridge Boys awarded the Old Dominion Group Award. It was a gesture in motion; In 2024, the Oak Ridge Boys’ Joe Bonsall, a Grammy Award Winner and famous tenor, He died from complications of the neuromuscular disorder amyotrophic lateral sclerosis.
Another tears: Mcentire leading the audience in a song of The deceased Kris Kristafferson “Bobby McGee”.
Male artist of the year went to Stapleton. The duo of the year was granted to Brooks AND Dunn
Megan Moroney covered the “stupid” stupid “of Keith Urban and Stapleton made” Blue is not your color “ahead of the reception of the Australian superstar of the coveted ACM Triple Crown Award, marking the first time an artist received the trophy on stage since Carrie Underwood was honored in 2010.
In any case, the 60 ACM awards showed that the show is at its best when it celebrates new acts and legends in equal extent.
The ACM awards were broadcast on Prime Video and the Amazon Music Channel on Twitch Live. No main membership was required to see live broadcast.
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